Behind the exoskeleton, the faceted, crystal-like façade contrasts with the solidity of the structure. This permanent concrete form-work also provides the architectural finish that requires minimal maintenance. One Thousand Museum incorporates glass fibre reinforced concrete form-work which remains in place as construction progresses up the tower. ![]() “The structure gets thicker and thinner as required, bringing a continuity between the architecture and engineering.” “The design expresses a fluidity that is both structural and architectural,” explains Zaha Hadid Architects’ project director Chris Lepine. Reading from top to bottom as one continuous frame, columns at its base fan out as the tower rises to meet at the corners, forming a rigid tube highly resistant to Miami’s demanding wind loads its curved supports creating hurricane resistant diagonal bracketing. One Thousand Museum’s concrete exoskeleton structures its perimeter in a web of flowing lines that integrates lateral bracing with structural support. ![]() The tower’s design continues Zaha Hadid Architects’ research into high-rise construction that defines a fluid architectural expression consistent with the engineering for the entire height of a structure.
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